Phil Keaggy: March Of The Clouds
Bad Eighties-quality video. But feel free to close your eyes and drift away. THIS is music.
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Bad Eighties-quality video. But feel free to close your eyes and drift away. THIS is music.
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This turns out to be much cooler than I expected. It’s a collaborative version of the Ben E. King classic, Stand By Me…performed by scores of musicians around the world. But…not in the same location. They are all doing their thing to a track. Then, someone mashed them all together…not cut-betweens, but layered one over [...]
Two old guys prove they haven’t forgotten where to put it at all. This is a song made famous by studio guitar uber-genius Larry Carlton when he was with The Crusaders back in the Seventies. And some additional spice is added by Toto’s guitar wizard, Steve Lukather. Mix in a cool bass solo and you’ve [...]
Live from 1988, Carlton plays some of his most famous lead work, including Hill St. Blues, Kid Charlemagne (Steely Dan), Don’t Take Me Alive (Steely Dan) and Put It Where You Want It (Crusaders). Looks like Nile Rodgers on bass. A short clinic from the master.
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Very hot closing song from the Ripps’ album, Live in L.A. Features guest pianist David Benoit joining the band. With smokin’ little vocalese riffs by Phil Perry, it builds to a powerful crescendo at the end.
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As always, the band is anchored by the rock-solid guitar work of Russ Freeman. Enjoy the synth-guitar and synth-woodwind (Ewi) duets with Freeman and Jeff Kashiwa…but be sure not to miss the nasty little guitar solo starting at around 1:45. From their album, Live in L.A.
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Ignore the hairstyles. Instead, just bask in possibly the best song ever from one of the great bands of the last 30 years. The audio quality isn’t great here…you should own the album (”Live in L.A.”). Russ Freeman is one of the most precise and creative guitarists you’ll ever hear, and Jeff Kashiwa burns it [...]
Over 50 years after it was filmed, this is still a stunningly cool piece of music. Featuring Gene Krupa on the drums, and Harry James on the trumpet solo…and, of course, Benny Goodman himself on the clarinet.
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Hate opera? Join the crowd. You’ll still love these guys.
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A fascinating marriage of opera and rock. Energetic performance, creative arrangements, flawless vocals. A breath of fresh air with unexpected source material.
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